ABOUT THE ARTIST

My Photo
Morrisville, NC, United States
My wife Emily and I currently live in Morrisville, NC with our son Evan. In July of 2010 my life changed dramatically when Emily and I adopted our beloved son. As a consequence of this life change I have not updated this blog for a long time. As Evan has grown, and new expenses have been introduced, I have decided to again accept commissions from those of you who would like to have original work done. You may request work by contacting me at davemyers1977@gmail.com, and I am also beginning a new website to promote this service at artisservantportraitsandmore.blogspot.com - I currently charge $225 for 11x14 drawings and $175 for 8x10s. I sell prints of my work (either from this site or the new one) for $25 11x14 and $20 for 8x10. I hope that you will enjoy the works here displayed, that you will visit my new site, and that you will contact me with your comments at davemyers1977@gmail.com - Dec 30 2011

Wednesday, May 16, 2012

FOR THE FAMILY OF A FALLEN OFFICER


 



This drawing is for a student I met when I came to speak at a local middle school about my art. He asked me my prices at the time, and I told him. It hadn't dawned on me that he was asking because he wanted to buy a drawing. Later, his art teacher explained that he wanted a drawing of his father that he could give to his mother on Mother's Day. His father, a police officer, had died in the line of duty. I told the art teacher that I would be doing this drawing for free and that I would get it done in time for Mother's day. In true me fashion, I did the entire drawing last night in one sitting. This is the result. I pray that this drawing of this great husband and father will be a comfort to his wife on Mother's day, and that his boys will be happy with the work. May his soul, and the souls of all the faithful departed, through the mercy of God, rest in peace. Saint Michael the Archangel, defend us in battle. Pray for all of our service men and women. Please enjoy this time lapse of the work. 5 & 1/2 hours total time spent, condensed to 26 seconds:



P.S. - The family now has the drawing and my wife was there to present the finished work to the young man who requested it. He immediately had Emily take him to his brother's class so that he would be able to show it to his brother. My wife said he grinned from ear to ear and kept saying how much it looked like his dad. Please pray for this family. am honored and grateful to have the opportunity to give this to him and also to his mother and his brother, and to know that he was happy with it. It makes my heart sing. Ultimately, here was a good hearted kid whose father taught him a lot in the short time he had with him, and he probably walks around every day wondering how he can comfort his mother. The idea for the drawing was his. I just was lucky enough to be the instrument.

Wednesday, March 14, 2012

MY 5TH PORTRAIT OF FATHER THOMAS FREDERICK PRICE, THE TARHEEL APOSTLE

This portrait of Father Thomas Frederick Price, "The Tarheel Apostle," is my 5th portrait of this servant of God. The photo I rendered this from was shared with me by Father Michael Walsh, MM, who is involved in efforts to have him recognized as a Saint in the Catholic Church. The photo was the last known photo taken of Father Price, and was for a travel document he needed during his missionary work in China.

Father Price's cause for Beatification and Canonization is now underway in its "Diocesan" stage here in the Diocese of Raleigh. North Carolina is where Father Price grew up, was ordained, and where he spent the first stages of his remarkable priestly life. If Father Price's achievements were limited to his time in his home state, they would be sufficient to mark him as a Priest of singular, heroic virtue. He was a dynamo of charitable and apostolic work, and deeply loved the people of North Carolina, Catholic and non-Catholics alike. It was his love for his home and her people that so charmed the men and women of the Old North State. I believe that his work here, especially his evangelical spirit and his charity, should be more widely known by the people of our Diocese, and I hope that his cause will achieve this if nothing else. His life still inspires and speaks to the missionary nature of the Church in North Carolina. Indeed, I believe that his labors here testify to his Sainthood, just as his later achievements would on a global scale.

Here is a Saintly Priest worth knowing and befriending. I hope that you will consider ordering his biography, "The Tarheel Apostle" which is available in reprint from Amazon. If you are from the State of North Carolina, or if you have spent any time here, you will be charmed by the familiar places and history recounted in its pages. You will especially be charmed by the simplicity of this man, who had little regard for his clothes, his appearance, or the limitations that keep most people from achieving great things. He loved all, especially those who misunderstood and persecuted him, and he patiently, persistently, and irresistibly convinced them of his goodness, and also of the love he carried for the people of North Carolina. My prayer is that all of us will come to know him better as his cause proceeds here in our local Church.

Tuesday, January 24, 2012

QUICK SKETCHES / WARM UPS


QUICK SKETCH #1: "THE HP" - (Hillbilly Philosopher) This is a quick warm up sketch I did of one of my best friends and favorite characters in the world. I've decided I'd like to start doing some of these fun thumbnail sketches before my long "big drawing" sessions to at least feel at the end like I've produced a finished image. Did this one in 30 minutes, and its about a 5x7.
             
Quick Sketch #4 - Self Portrait. I was jealous of my buddy Kyle Robert Willis who's awesome self portrait is on his website! Man, a person can really tell how much older he is than the last time he drew himself! I drew my face. I let my beard draw itself. 2 Versions.

                   
LEFT TO RIGHT:

Quick Sketch #3: Jax Teller. (unfinished) If I got the likeness on this one the ladies are sure to swoon. Charlie Hunnam's character on Sons of Anarchy is a favorite among those of the fairer sex. And he's pretty bad ass too. Still need to draw his cut. Did what you see during lunch. Another 5x7. Enjoying these more spontaneous exercises.

Quick Sketch #5 - Probably my favorite so far! Walton Goggins has made Boyd Crowder (JUSTIFIED on FX) one of my favorite TV characters of all time, and he's a tie with the lead character for my favorite character on Justified. The thick Kentucky accent, the sinister, humorous, religious, criminal, and ultimately confusing path of this character - these are the things that give this show its charm. Hope you like this sketch as much as I do! Its definitely more gestural than most of my work, and I did it in a little under an hour. Lots of fun for a warm up.


Quick Sketch #2: Raylan Givens - I'll let my fellow JUSTIFIED fans decide if I got the likeness. Put the final touches on while listening to "Simple Man" by Charlie Daniels. Thought that was appropriate. Love this character brought to life by Timothy Olyphant and the writing of Elmore Leonard.

Friday, December 30, 2011

WHAT I'VE BEEN UP TO.....

These are drawings of my son Evan, who, since his adoption in July of 2010, has overwhelmed our lives with love and joy and happiness. His entry into our lives has prevented any posting here until very recently. I hope that you will consider ordering some original work and viewing some of the portraiture I have been doing in the interim, and I am sure you will understand why I haven't posted here for a while. We are so grateful for our beautiful son!

Wednesday, March 03, 2010

THE GLORY OF THE MASS : A WORK IN PROGRESS FOR A RECENTLY ORDAINED FRIEND, A FITTING SUBJECT FOR THE YEAR OF THE PRIEST


This is a pretty ambitious project that I am working on for a friend who was recently ordained. He commissioned it some time ago and I confess that I had been avoiding it because I knew it was going to be difficult to do well. This album is a thank you to him for his patience, and to let him know that he doesn't have to despair of this project getting underway.

The image is meant to be an exposition of the experience of the Priest and the very great responsibility that is his to minister to all of God's Children, facilitating their lives in Christ through the Ancient Tradition and Faith of the Church. The Priest does this especially by first cultivating a profound friendship with Christ, especially through personal prayer and frequenting of the Scriptures. He learns from the great saints who have gone before us in faith, many of whom he has developed a special veneration for. They are literally his heroes, and the example and experience of their faith informs his own. He speaks to them and asks for their prayers, as he reads their writings and the stories of their lives. He communicates the insights he gains from his own prayer, the Gospels, and the tradition of the Church to the People of God.

The Saints have been especially important to my recently ordained friend, and they have enriched his life greatly. He has also obviously been enriched by his varied experiences of ministry to many different groups and individuals during the course of his formation. He wanted the image to include an image of a Priest offering Mass to a congregation made up of several different types of persons, many of whom he reverences (such as law enforcement or firemen) or has learned from in a special way during the course of his formation in the Priesthood. In the upper portion of the drawing is a small "who's who" of saints, many specifically requested by my friend, who has learned from each of these great men and women of the Church.

The Communion of Saints is complete! I will have more updates soon.

Tuesday, March 02, 2010

IN MEMORY OF WILLIAM TEACHEY, WHO WAS AND IS MY WIFE'S BEST FRIEND




This is a drawing of William Michael Teachey. He was and is a beloved son, brother, and friend, and he was and is my wife's best friend. Will was so good to my wife in his life that even I wouldn't dare to dispute his claim to the title "best friend." As it turns out, he was also a performer whenever there was a crowd to laugh, and I feel blessed to have been able to experience his humor and his presence.

I have thought of Will even more often than usual of late, and I felt that although I knew it would be hard for Emily, it was high time that we had a special place in our home (besides the many small photographs of him we already have) to honor his memory and the joy and happiness that he brought to so many family and friends. I have long had the idea of this drawing on my heart, and felt that Emily would be ready to receive a new portrait of her friend.

I only met Will a handful of times, but every time we crossed paths I laughed and was quickly able to understand why Emily loves him so much. As I have journeyed with Emily as her husband I feel that I have truly come to know Will from her own precious memories of his friendship. I love Will Teachey for the same reason that I love his whole family and hers - He loves my wife, and he was good to her at the most difficult times of her life. For that I am eternally grateful. We cherish his memory and he will never be forgotten.

This portrait was rendered from a small photograph we have which is very special to Emily, of her "loving on him" before he headed off to the Prom. I have always been drawn to that photo of him. I knew that I wanted to make it the inspiration for this portrait. I hope that it gives some glimmer of the eternal joy that he already shares with Our Heavenly Father.

Many thanks to Will's father and mother, who gave their blessing that this drawing of their beloved son should be shared in this venue. We love you both very much! And by the way, the drawing doesn't do justice to just how good lookin' the dude really was. Many thanks Will! God love and bless you forever.

Thursday, December 31, 2009

THE SUMMIT: A WORK OF FICTION WITH FRIENDS

This little illustration is for my funny, weird, and somewhat disturbed group of friends who are all collaborating together to write ongoing chapters of a spontaneous, pointless, rambling, silly, and thoroughly entertaining story that we have all either been written into or written parts of. I have thoroughly enjoyed writing chapters and I always enjoy reading what others have written. This is one funny group, folks. The story is "The Summit," and it follows the exploits of a despotic King, his minions, and the small group of revolutionaries (or criminals, depending on your point of view) that are out to bring it all crashing down. As you can see from the illustration, everybody has a gun or guns, and the story does get violent from time to time, and its not a kids book per se. Also, if you don't like vulgar language and liberal use of such words not all chapters will set well with your literary palate. However, I should say that so far the only people to die have been a large group of gang members and a couple of White House Interns. I laugh out loud and its just plain fun to be creative. I've enjoyed it so much I wanted to do an illustration of each of the characters in the story for my fellow writers.

I have to say this is the most fun I have had drawing since I was in High School. My old pal Chris Jefferies will remember as I did while drawing the many times that we would sit around a draw comic book characters and the like. I don't do this kind of free flowing work enough, and it was a world of fun. I just quickly found photos to work from and put pencil to paper. I love it when a creative work organically comes together. This drawing and "The Summit"are like that. Look for more comic-style art in the future!

Saturday, December 05, 2009

THE YEAR OF THE PRIEST: 3RD POSTER



This drawing is of my very dear friend, Father Gregory Plow, T.O.R. and is intended for use in my newest "Year of the Priest" poster. Father Gregory and I have been best friends since my Sophomore year of college, when we met each other at a time when both of us were experiencing a conversion back to the faiths in which we were raised. Father Gregory was raised a Catholic, and I was raised in the Southern Baptist tradition. What endeared Father Gregory to me, then, as now, was his absolute genuineness, generosity, and contagious enthusiasm. When I met him, I could easily have said "Here is an Israelite in whom there is no guile." He is a man, now a Priest, who is alive with the Joy of the Holy Spirit. He has been that way as long as I have known him.

There were many roads which carried me towards the Catholic faith: Art, History, Scripture, Tradition, etc... But of all the things that God used to give me this precious gift, our friendship and spiritual brotherhood were the most vital. Years later, when I finally made the decision to come into the Church, I was also diagnosed with cancer. Father Gregory and his mother Jean were my co-sponsors, and were present when I was confirmed in my hospital bed by a local Priest. Over the next nine months, they came to the hospital and brought communion whenever I was inpatient, and took turns taking me to daily Mass when I was at home. This is only one of the examples of why I am so indebted to the generosity and friendship that Father Gregory extends to everyone he meets. He is a Priest's Priest, and he was meant to be a Priest. I chose to use his image in this new poster because Father Gregory is the perfect "poster boy" for the Priesthood.

Frank Bua took the photo that this drawing was rendered from. Frank caught this shot of Father Gregory at his "Mass of Thanksgiving," that is, his first Mass as a Priest. The image portrays Father incensing the Gospel before proclaiming its message to the People of God. I was immediately struck by the grace and symmetry of the image. Frank has a great eye, and Father Gregory's manner of offering Mass (with the order and precision of a mathematician - he is one) lends itself to this type of image. It is interesting that the poster focuses on the mandate by Christ to "preach the Gospel to every creature," because Father Gregory is a Franciscan of the Third Order Regular, and Saint Francis is famous, among other things, for preaching to creatures (birds) when humans wouldn't listen, and for his oft quoted line "preach the Gospel at all times. Use words if necessary."

The image can be seen as an icon of the intense relationship which exists between the Priest and the Gospels. The Priest is commissioned by Christ to embrace the Gospels, and to open Christ's words to us in their proclamation and also in his preaching. The Proclamation of the Gospel is so sacred that incense is used. I found an excerpt from a website authored by the Abbot of a Monastery. His description of this rite is very beautiful, and explains well the significance of incense in the context of the Mass, especially with reference to the Gospels:

"What are we expressing with this incensing of the Gospel Book? It is a sign of devotion toward these holy words of and about our Savior, which have been preserved for nearly 2000 years, in reverence and love. As the sweet smoke (always first blessed by the priest) rises toward and surrounds the holy book, we are acknowledging: these are the words that God spoke when He became man and walked on this earth; this is the story of our salvation; here is the promise of everlasting life; here is the testimony of God’s love for us."

You can find the entire article at:

http://wordincarnate.wordpress.com/2009/
01/08/incense/

God send us Holy Priests!

Tuesday, December 01, 2009

SECOND DRAWING OF BLESSED MIGUEL PRO, MARTYR

Finally finally finally! My first drawing in MONTHS :(

This drawing is a companion to an earlier drawing of the same subject. Blessed Miguel Pro (seen in this image kneeling in prayer before his execution by firing squad) was a martyr for the Catholic Faith in Mexico during the early 1900's. He died in 1927 after very successfully helping faithful Catholics to practice their faith in secret.

At that time in Mexico the government was militantly anti-Catholic, and this anti-Catholicism, which began when Mexico declared independence from Spain, had reached a fever pitch. Father Pro was extremely clever and even humorous in the creative ways that he eluded the authorities and made his way around the towns to say Mass. Apparently he took great enjoyment from sketching new disguises and characters he might play. (dressing like a Priest would get you jail time or worse) When an attempt was made on the life of the Mexican President, the government used this as a pretext to arrest Blessed Miguel Pro and his brother, accusing them of being involved in the plot. This was done despite the fact that the actual perpetrator, who was also captured, vehemently denied their involvement.

Blessed Miguel Pro was executed by firing squad, and his execution was meticulously photographed, including a point blank gunshot by an officer when the firing squad failed to kill this faithful priest. It was thought that the distribution of these photographs would stir up fear and weaken the Catholic rebellion. They had quite the opposite effect. In this image Blessed Miguel is shown at prayer, clutching a crucifix in one hand and a Rosary in the other. When he stood to be executed, he lifted his arms in the shape of a cross (see earlier drawing) and prayed "May God forgive you, as I do. Viva Christo Rey!" (Long Live Christ the King)

Monday, June 01, 2009

FOR THE BEST OF FATHER IN LAWS

This drawing is a gift for my Father-in-law, in gratitude for his constant generosity to Emily and I in every way possible. I have a deep respect for Ron. He's a man who seems to have the tools for just about any problem you might come across, and he has been a moral compass for my wife throughout her life, and has by extension become an example to me of what it means to live a life that is committed to doing what is right. I would put him in the same category as my grandfather in that regard. When Ron shakes your hand and tells you what he is going to do, you don't have to guess whether or not he'll do what he says. He is one of the hardest workers I have ever known personally, and his daughter is second only to him in that regard. What I love most about my father-in-law though is the same quality that I admire most in my sister Karen: He's as tough as iron, but there are certain subjects (his daughter being one) that he keeps a very soft place in his heart for. I've never seen a man so stoic, who at the same time can be so quickly brought to tears by a conversation about his daughter, or other members of his family. I am very blessed to have Ron as a friend and as a father-in-law, and will always be indebted to him for his generosity and his desire to help anyone who is experiencing any kind of difficulty. I have come to learn that this is a guiding principle of Ron's life, and hope that I can one day live the way he does.

When I was trying to think of what Ron would enjoy seeing in a drawing, I thought of the usual things, NASCAR, Oklahoma, Chevy Trucks, hunting, etc. but then remembered that the one thing most precious to Ron is his family, both immediate and extended, and I remembered this little photo on the mantle in his home. It shows a very young Ron Nimmo (on the left) standing with his baby sister Cathy and his brother Joe. Joe is and was a tank. From what I have heard, "Ron would start fights.... Joe finished them." To be fair, Ron usually didn't need the back up, but Joe was apparently always ready to assist at need. :) I love the picture and hope the drawing will be special for Ron, for his folks, and for his brother and sister.

A GIFT FOR MY SISTER ON THE OCCASION OF HER WEDDING TO CAPTAIN BLAKE SMITH

This drawing was done in honor of (one of) my beautiful sister's wedding Memorial Day weekend. She is pictured with her husband, Capt. Blake Smith. It was truly a blessed weekend, and I told my Brother-in-law that his faithfulness as a Christian, and the way his faith informed his decision to marry my sister, was evident in all of the pomp and ceremony surrounding the event, and their example made me want to be a better husband and a better man. God bless them both with a wonderful life together, and GOD BLESS ME WITH LOTS OF LITTLE BLOND HAIRED NIECES AND NEPHEWS! :)

You can see images from the wedding at http://www.photobiz.com/slideshowbiz/slideshow.cfm?slideshowID=64442&photographerID=10703

In Progress: DRAWING OF THE RESURRECTION

Ever since I began the Stations of the Cross which were completed last year, I have been wanting to do a drawing representing the Resurrection of Christ. As you can see, this drawing is also inspired by The Passion of the Christ, specifically the awesome Resurrection scene at the end of the movie - It made me wish that the movie kept going after that point, or at least that a sequel could be made. I am drawing Christ's face in a much larger format than I usually work in, so his face is able to contain much more detail than other works that I have done. I am very happy with the way this drawing is going.

In Progress: PORTRAITS OF ARCHBISHOP FULTON SHEEN AND SAINT JOHN VIANNEY


These two drawings, both in their beginning stages, are intended for The Year of the Priest - my vision is to have the full image of these great priests of the Church, Archbishop Fulton Sheen (his cause for beatification is underway) and Saint John Vianney (Patron Saint of all priests) in the lower corner of two larger posters, with a quote (on the priesthood) from the person depicted taking up a larger part of the poster.

Archbishop Sheen

This is the very beginning of a drawing I am doing of Archbishop Fulton Sheen for the Year of the Priest. My plan is to draw portraits of great Catholic Priests, not necessarily all confirmed saints, but Priest's Priests. Archbishop Sheen is such a figure. Frankly, he is the definition of the saying "They don't make 'em like that anymore."

Archbishop Sheen is the total package - his writings are beautiful, filled with meditations on the Christian life and Christ Himself that reveal a life spent in prayer. His writings and his teachings, shared by radio and television, are still profound and illuminating insights into Theology, Philosophy, Psychology, Poetry, Art, Music, Politics, and all aspects of human culture. Most significant to me are his insights into the Gospel, revealed in his masterpiece, "The Life of Christ." The Church cherishes his memory for these reasons as well as the example of Priestly heroism that his life constantly bore witness to. His cause for canonization is underway and I for one pray for it, if for no other reason than that more people might be exposed to his wisdom, humor, and desire to help each of us live lives of true goodness.

Archbishop Sheen is famous in the world and the Church for his celebrated Television Series "Life is Worth Living." Ed Sullivan, when he came to the halfway mark of his show, would always welcome the viewers who had just finished watching Bishop Sheen's program. Imagine! A Bishop of the Catholic Church with a television show so popular it rivaled "The Late Show" of its time. I hope you will take a moment to experience a sample of Archbishop Sheen's show. He is a very rare example of a man whose speech is as brilliant and gripping as his writing, and/or vice versa. A true orator. Here is a great clip from a 1957 episode of "Life is Worth Living." It is a good example of how seamless Bishop Sheen's transitions were as he moved from tenderness and humor to serious discourse and even righteous anger when appropriate. Profundity like this is rare today.

He tells a good story at the beginning of the show about a letter from the mother of one of his younger viewers:




Saint John Vianney

This is very early (and highly edited) progress on a drawing of Saint John Vianney that I decided to do as part of a series for "The Year of the Priest."

I wanted to do this drawing in part because I LOVE Saint John Vianney, but also because there really aren't that many representations of the Saint, and the best ones are not in paint or even naturalistic images, but stained glass. The paintings that probably hit closest to the mark portray this Patron Saint of Priests as very somber and grim, but his words, recorded in most cases by others, paint a picture of a man caught up in the Joy of God. This is what I wanted to portray in my work - I hope that it will be well received, but I confess it has frustrated me more than a little while working on it - let me know what you think - sometimes the artist is too close to really see the work.

Given the shortage of (good) images of Saint John Vianney, I searched for photos and/or persons who seem to resemble existing depictions of the Cure of Ars, but who also have expressions of joy and or mirth. Saint John Vianney was famous for saying "If we knew how much God loves us, we would die from sheer joy."

I found, I think the perfect countenance to work from. I used an actor in this case, as I did with my recent drawing of Saint Michael. David Kelly was in the great Irish Comedy, "Waking Ned Devine," and there is a beautiful scene where his character, Michael O'Sullivan, is hearing his dearest friend express his great regard for him. He looks up at him with a beautiful expression of calm joy, tears just welling in his eyes. Its a wonderful scene. I wanted to capture some of the Joy of Saint John Vianney in the way that Michael O'Sullivan's joy was captured by the director and actors of Waking Ned Devine. Hopefully, it is an expression of joy inspired by the knowledge of how much one is loved.

Monday, May 25, 2009

SAINT AUSTIN REVIEW MAY/JUNE 2009: ARTICLE FEATURING MY WORK



I am so excited to be able to share with you a great opportunity that I recently had to have my work featured in the cultural magazine “Saint Austin Review,” which is published by Ave Maria University and edited by Joseph Pearce. I was able to meet Professor Pearce at the Ignited By Truth Catholic Conference this year, and shared a portrait of him that I completed for the conference. He was EXTREMELY gracious and complimentary of my work and asked if he might contact me to do an interview with me for this magazine. Above are the first two pages. (The third follows) Below is the interview.

Joseph Pearce: We met at this year's Ignited by Truth conference in Raleigh, North Carolina, at which 2,500 enthusiastic Catholics heard a number of talks centred on the need to evangelize today's secular culture. What are your views on the evangelizing power of beauty?

David Myers: As you noted in your wonderful talk on this subject, beauty pierces the hearts of people rather than their thought, and is therefore very important if the culture we live in is to be drawn to the truth. This is especially true now when the arguments of those who oppose Gospel values are founded so often on emotional arguments that are not arguments at all. The emotive impact of audio and/or visual art that is at once beautiful, well informed by the Gospels, and tailored to the attention span of our culture, can be a spark or a catalyst that leads towards conversion. The most powerful recent example of such art's power to turn the heart and mind of a debased culture to the Lord has to be Mel Gibson's "The Passion of the Christ." The Gospels, like their Author, are deeply beautiful. Saint John's Gospel is perhaps the most beautiful and certainly the most poetic. "We saw His glory, the glory as of the Father's only Son, full of grace and truth." The beauty of Christ, of His teaching, and especially of His Love, drew the world to Him.

JP: As an artist, how do you see the role of the visual arts in evangelizing today's culture?

DM: As (I think) Saint Therese says of the prayers she made to God, artists of every discipline have the ability to "shoot little arrows of beauty" into the hearts of people, hopefully ones that will remind them of all that they may have believed to be lost. In a world bombarded by grotesque images, perverted images, and meaningless images, it is the artist's calling to communicate in his art the true, the good, and the beautiful. When he does this, casting his pearls out into the darkness, prodigal sons unknown to him may leave the husks and the swine, and turn towards this new "epiphany of beauty" that they have either forgotten, ignored, or been robbed of. 80% of the Billboards you will see on your drive home are the darkness. True Christian art, in paint, stone, glass, film and song, is the light.

JP: What is the role of the Catholic artist in today's culture? What do you perceive your own vocation to be? What is the nature of your relationship with God in connection to your creative work?

DM: I have come to believe that to be an artist means to be a servant of all, and especially of God. "Art for art's sake" is a blasphemous term in my opinion. This servanthood is true in all aspects of the artists work from the earliest days of his development to the maturity of his skill, for in order to communicate (which all true art must) to an audience, the artist must be obedient to what he sees, for it is in the created world that the artist will find his vocabulary for communicating inspiration to a hungry world. I love the words that are put into Raphael's mouth when he speaks to Michelangelo in the film "The Agony and the Ecstacy:" "But what are we artists but harlots, peddling beauty at the doorsteps of the mighty?" Those who would put the word "elite" next to art have lost the true meaning and purpose of art. This is why my site has as its address "artisservant.blogspot.com “artisservant.blogspot.com." Because art IS servant.
I firmly believe that art is meant to serve others, especially in lifting the hearts of people, through "ephiphanies of beauty," (John Paul II's letter to artists) to the contemplation and the glory of God. The artist participates in a unique way in the inspiration of the Creator of all things, and knows something of His joy in the act of creation, for "the act of creation is an act of love."(The Agony and the Ecstacy) This act is essentially bound up with the mystery of the Incarnation of Jesus, in which what had been invisible was made visible in His person, His life and work, and finally in His death and resurrection. The artist is exhorted by the very perception of his gift to its service. Art is not merely, nor should it ever be, a vehicle for selfish ends or cheap shock and awe, but it must seek to give joy to the lives of others. The artist is then in the end merely a servant of truth, beauty, and goodness, and his work must serve to convey these to a wider audience. "Nor do men light a lamp and put it under a bushel, but on a stand, and it gives light to all in the house. Let your light so shine before men, that they may see your good works and give glory to your Father who is in heaven." (Matthew 15-16)I believe that the artist finds in the lives of Jesus, and of His foster father Joseph, essential role models, especially in their hidden life at Nazareth. Though very little is handed down to us in the Gospels or in tradition illuminating this period in Jesus' life, I believe that this hidden, simple, carpenter's life of "working quietly" (2 Thessalonians 3:11) can be a model for all artists, in which delight is daily sought in the manifestation of beauty in wood, paint, charcoal, dance, the stage, and music. This is a life of humility, where the artist freely accepts that this world, including his own work, "will pass away," (Matt. 24:35) but what it points to never will. Obedience to inspiration, especially as it is inspired by God's Word (itself the revelatory self-expression of God) is the artist's highest calling.

JP: Who has been particularly influential in your own development as an artist?

DM: There are so many people, both the heroes that I have never met but studied, and those that I have had the blessing to call my friends. Of the latter group, I would place my Art History professors at the front of the lineup. Dr. Kemille Moore, Dr. John Myers, and in a special way, Dr. Anthony F. Janson (of Janson's History of Art) each helped me to experience more richly than I could in any studio the highest ideals of art, as well as its greatest achievements. Their love for art was communicated to me, along with my own growing awareness of what moved me most in art. It is this that I aspire to communicate in my work. I am indebted also to Leslie, my babysitter, who, when I was in first grade, inspired me to pick up my pencil and draw. My favorite artist of all history is Michelangelo, but I must qualify this answer. For the "Michelangelo" I refer to are actually two Michelangelos, one being the most famous, the other being Michelangelo Merisi da Caravaggio. I believe that both artists have deeply influenced my own work and my made me aware of the subtleties that make for meaningful, compelling art, as well as the more verbose elements that give it fire, passion, and the ability to expand the horizons of others. I am most recently indebted to the work and the advice of Cameron Smith, a great Catholic artist, who, in one conversation, completely revolutionized my drawing technique. It is as "clear as the summer sun" to anyone who looks that my work owes as much to Cameron as the work of Raphael did to that of Michelangelo. Last, but certainly not least, I owe so much to my good wife, who puts up with the ungodly hours of the artist, the all nighters, and the hours stolen from her to contribute to my growing body of work. She teaches me daily what it means to sacrifice for those we love, and to make their dreams our own.

JP: Your excellent website (www.artisservant.blogspot.com) highlights a cross-section of your work, including portraits of contemporary Catholics and portraits of the saints. Why were you inspired to work in portraiture in particular?

DM: Unfortunately, being an art history major and being lazy combined in my college years to prevent me from developing very much in the areas of painting and sculpture. However, I did develop and gain some mastery in life drawing. Professor Donald Furst taught me how to draw from life and to be obedient to what my eye saw before me. He also gave me the very best advice I have ever received in the area of art. I was blessed to receive a scholarship to study in Rome for a summer, and Professor Furst told me: "Take a sketchbook with you. Resist the temptation to snap photos and move on. Each day pick something, a statue or other work of art, that you will commit to sit down in front of and draw. You will forget so much about the photographs, but you will remember everything you experienced when you were drawing." He was so right about this, and this experience of drawing for a full month in Italy taught me more about drawing and what was possible for this medium than any of the classes I had attended. Ultimately, I work in portraiture and life drawing because it is the skill I have been able (I believe) to master to an extent that makes me capable of producing "fine art" in charcoal and graphite. It is very important for the artist to be able to convey the good and the true in the most beautiful way possible. This is why I choose the most suitable way my skill and my training currently affords me.

JP: I was particularly struck by your artistic representation of the Stations of the Cross. Could you explain your relationship, as an artist, with such monumental spiritual themes? Is there something truly spiritual, or even prayerful, in the creative process when working on such themes?

DM: Without a doubt. I began working on the Stations of the Cross over four years ago at the beginning of Lent. You will remember that this was wen the Passion of the Christ came to the theaters. I was so moved by this MASTERPIECE, that I felt compelled to make the drawing of the stations part of my Lenten journey, directly inspired by the film. I got pretty far that first Lent, but did not complete the stations. Those first stations and those that followed opened my awareness to the power of art to move the heart of the artist who makes it as well as his audience. Each station became a desert in which I could walk and think about the subject I was illustrating, and it was always a contemplative experience. Each Lent the wave came closer to the shore, until in this past year I was able to complete the project. The final series is somewhat motley, as it draws from several different sources, including some works by Tissot and Caravaggio. It also serves as a visual biography of the development of my style as I have slowly over the last four years left charcoal behind to focus almost exclusively on works in graphite. It is profoundly humbling to undertake the illustration of Christ's life or any given aspect of it, and I find that I get so much more out of the beautiful experience of drawing such themes than my audience does, or seems to. "We saw His Glory, the Glory as of the Father's only Son, full of grace and truth."

Wednesday, April 29, 2009

LATEST DRAWING OF SAINT MICHAEL THE ARCHANGEL


This is my latest drawing of Saint Michael the Archangel. As is evident to most, the image owes a great deal to the movie Troy, especially Brad Pitt's character, Achilles. Whenever I've pictured the Archangel in my mind I see him with the same long hair and fierce countenance, so I thought it would be cool to use an image from that movie to portray a more virile representation of the Prince of the Heavenly Hosts. This is my third drawing of Saint Michael, whom I feel gets a bad rep from the many works of art that portray him with a less than threatening effeminate character, tip-toeing on the devil's head. The goal in those images was to portray the beauty of a perfect being that has never denied God anything, and this I accept and understand. However, the goal of my drawings of the Archangel is to show the other dimension of his character, i.e. that of a dude who won't hesitate to split the devil's skull with the business end of a flaming sword. "Michael" means "Who is like God?" Which I imagine is what he asked Lucifer before sending him down to the hot place. Among other groups, Saint Michael is the patron saint of soldiers and police.
Included is a jpeg showing how the drawing developed as it progressed.

Monday, April 20, 2009

A HEROIC CONVERT: THE LATE CARDINAL LUSTIGER, ARCHBISHOP OF PARIS

This drawing is a gift for the Papal Nuncio in Washington that was commissioned by a friend of mine. I included with the image a version of the recently completed 2nd "Year of the Priest" drawing (posted below) which I translated into Italian using the Pope's address where the special year was announced. (www.vatican.va has most of the Pope's messages and writings in all the major languages of the world, and I believe it was presented in Italian) I am hopeful that the Nuncio, if he feels it is appropriate, might share that image with the Pope! (I can dream can't I?) I also sent some prayer cards made from drawings I have done in the past.

The late Cardinal Lustiger, who is here portrayed, was a very dear friend of the Papal Nuncio to the United States, Archbishop Pietro Sambi. Lustiger was a Jewish convert to Christianity and became the only Jewish convert in modern times to become a bishop in the Catholic Church. He was archbishop of Paris for many years before retiring in the early 1980s and was made a Cardinal by John Paul II in 1983. When I say he is known as the only Jewish convert in modern times to have become a bishop I believe what is actually meant is that not since Peter and the other Apostles has there been a Jewish convert to Catholicism who has been consecrated Bishop. I may be wrong - you Catholic P.I.'s out there can correct me ;)

What IS certain is that for his faith in Christ Cardinal Lustiger sacrificed much, being disowned by his family and many of the Jewish people. On top of this he experienced distrust from many of his Christian brethren because of his Jewish origins. He isn't shown carrying the cross because of this, but his life certainly fulfilled Jesus' words ''he who would my disciple be, let him take up his cross and follow Me.'' Indeed, by suffering through these things, the Cardinal became a great force of ecumenism between the Jewish and Catholic faiths.

He is carrying the cross in the drawing because the photograph I worked from shows the Cardinal taking part in a ''way of the cross'' procession in which several different people take turns carrying the cross from station to station in a meditation on Christ's sacrifice for all of us. In the original photo you can see others helping him with the burden. This image was chosen to work from because it was one of the Papal Nuncio's favorite images of his old friend, whom it is clear he loved very much. Pray that God will bless this image to be a reminder to the Archbishop of his great friend. Theirs seems to have been a shining example of Christian fraternity and charity.

Saturday, April 18, 2009

THE YEAR OF THE PRIEST: 2ND DRAWING



I am VERY happy with the way that this drawing has turned out! I hope that you will be too. I found a STUNNING photo by my friend, Paul Tomas, of a Priest who is a very dear friend and Pastor. I thought it was a great image of my friend, but I was even more profoundly moved by the universal qualities of the image. It seemed almost an icon of the priesthood, or a view into the heart of the priest. A Priest who is truly heroic in his vocation is first and foremost a man of prayer, who seeks friendship and conversation with Christ before all others. It is there that he is made ready to help all of us who thirst for "living water." One of the reasons that this image speaks to me so eloquently of this aspect of the priestly vocation is that the priest depicted is one of the most successful and dynamic pastors I know, but it is always evident that this flows from his life of prayer. Thank you to all our priests for your great vocation! Never feel guilty to spend time in prayer "when there are so many other things to do!"

This image will also be used for a friend's Ordination this Spring, and I hope it may be of some use to our local Diocese or parishes. Please contact me at davemyers1977@gmail.com for more info.

I am especially proud of the seal you see that anchors the image - the phrase in latin is "You are a Priest Forever," and is shown in the Latin Vulgate translation of that verse. The symbol in the middle is a traditional one for the "Holy Name of Jesus," and the nails and the Cross represent Christ's Sacrifice, which Priests and all Christians are called to share in. The seal took a long time to put together, but it was worth it!

Friday, April 10, 2009

STATIONS OF THE CROSS USED BY LOCAL CONGREGATION FOR GOOD FRIDAY MEDITATIONS








God continues to richly bless my poor work, and I want to take this moment of Holy Week to express my profound gratitude to the congregation of Crosspoint Church in Cary, North Carolina for their use of the Stations of the Cross I finally completed last year. This series represents about four years of work. I began the work as a private meditation that I continued with each passing Lent, but I have hoped that it might one day be placed in a setting where it might benefit the prayer of fellow Christians. I am deeply grateful to the leadership of Crosspoint for their valuation of my work and their desire to place it in a truly beautiful setting.

The work was enlarged to a size of about 2 x 3 feet and I was very excited to see how well the originals transferred to this much larger format. It fit the space perfectly!

As you can see in the video and the photos I have posted, the lighting and the music were perfectly suited to the subject matter, and combined to create a wonderful space for meditation on the suffering of Christ. The decision to loop music from the soundtrack of “The Passion of the Christ” was especially ingenious I thought, and set the tone immediately as you approached the space. I was humbled and honored to see my work in this setting, as it was so greatly inspired by Mel Gibson’s masterpiece of faith. You will see that I also drew from great works of art that have illustrated the Passion through the centuries, particularly the work of Caravaggio, whose paintings obviously contributed to Mel Gibson’s vision of the Passion.

Above all, I was moved almost to tears to see this work so thoughtfully considered by faithful souls devoted to Christ and His Cross. I cannot express my gratitude sufficiently for this amazing opportunity. Jesus, Son of God and Savior of the World, have mercy on me a sinner. We adore You, O Christ, and we praise You, for by Your Holy Cross You have Redeemed the world.

Sunday, April 05, 2009

THE YEAR OF THE PRIEST


"The centrality of Christ leads to a correct valuation of ordained ministry." - Pope Benedict XVI.

The Holy Father has decided to name the coming year "The Year of the Priest," and is asking all Catholics, especially the Church's Priests, seminarians, and priestly candidates to focus their attention on the unique importance of our ordained ministers and the continuation of Christ's ministry on earth through them. The Pope said in his remarks on this decision that without priestly ministry, there would be no Eucharist, no mission and even no church. I was blessed to have been asked by a very good friend of mine, a priest I have known for many years, to complete this drawing as an emblem of the year for use in publications of his own (and hopefully of our Diocese) drawing attention to the intention of this upcoming year of reflection. I have included both the original composition and one that I added text to. I hope you are as pleased with the result as I am!

Friday, March 27, 2009

A TRIBUTE TO SAINT THOMAS MORE AND SAINT JOHN FISHER OF ENGLAND

video

This is a somewhat lesser version of a video I posted to my facebook profile. Unfortunately the "embed video" option no longer seems to work. Hopefully I will be able to post a better version soon. I put together this tribute to Saint Thomas More and Saint John Fisher from inspiring scenes taken from the incredible show "The Tudors." I intend no copyright infringement, I have simply been so taken with the series and especially with its portrayal of these heroes of the faith that I hope that everyone will get the chance to watch the whole series themselves. If you love history, you will LOVE it. Catholics and other Christians will not be disappointed, as all the players in the English Reformation are treated fairly. I have had a great love for Saint Thomas More ever since seeing Paul Scofield in "A Man for All Seasons," and since then have read about his life and asked his intercession, especially when I had to make difficult decisions. Although I would still choose "A Man for All Seasons" in the scenes which are identical or nearly so, I am still very grateful that "The Tudors" has given an even more thorough cinematic portrayal of these great men. I shudder when I see how unlike them I am. May their example, as it has now for centuries, inspire all of us to become, like them, people who do what is right, no matter the cost.

Sunday, March 22, 2009

SAINT MARK COMPLETED

This drawing was commissioned by the Pastor of Saint Mark's Catholic Church in Wilmington, North Carolina, a church that holds special significance for me, as it was there that I went through the process of becoming Catholic. There are MANY good and faithful souls there who have done me great good. The drawing is done after the famous statue of Saint Mark in Florence, carved by Donatello. I have always loved this sculpture, and thought it would be appropriate to depict Saint Mark with his traditional symbol, the Lion. Saint Mark wrote one of the four Gospels, and although not an apostle himself, is said to have been the companion of Saint Peter during the latter's Apostolic journeys to spread the faith. Scholarship suggests that Saint Mark's Gospel was the first to be written. Hopefully my good friend, the pastor, will be pleased, and will forgive the time it has taken me to complete this work. Saint Mark, pray for us, and help us by your prayers to seek Christ's Face in His Holy Gospels and in all of Sacred Scripture. O Jesus Christ, Savior of the World, have mercy on us poor sinners.

Friday, March 20, 2009

PREVIEW: CHRIST IN THE DESERT


This is only a very little progress on a much larger drawing I am undertaking as a Lenten meditation of my own for this year, but may not complete before Easter. The scene is Christ seated on a rock alone in the wilderness, surrounded by stillness, silence, and the harshness of the wild. The drawing is a copy of the very best painting I have ever seen of this subject, by the great Russian painter of the 19th Century, Ivan Kramskoy. You can see in Christ's eyes the fatigue of the fast and the grim understanding of all that his mission to redeem the world will cost. Christ has his battle face on, because that is why he went out into the desert: "To be tempted by the Devil." He went into the desert to face down every kind of evil the world has known through the weakness and sinfulness of man. Kramskoy's painting captures the seriousness of this moment, and also the paradoxical beauty of the lonely deserted places where we can be quiet, and hear the "still, small voice" of God. I love the ruggedness of the Christ Kramskoy envisions in his masterpiece. Move over Bear Grylls. Hopefully I will be able to complete this work before Lent is over.

Monday, March 16, 2009

PORTRAIT OF BLESSED MIGUEL PRO


This is the final piece for a request I was very happy to receive from a family who found this website and enjoyed some of my portraits of beloved saints. This family has a deep devotion to two Saintly figures in very recent Church memory: Saint Gianna Beretta Molla and Blessed Miguel Pro. You can read my own words about these two holy people at the links attached to their names in the previous sentence. One thing I might not have mentioned about Blessed Miguel is that he apparently also liked to sketch! He would sketch disguises that he would subsequently use to elude the authorities while visiting Catholic families in secret. The portrait is taken from a mug shot of the Priest shortly before he was executed by the corrupt government of the time. I have taken the liberty of removing the Martyr from the tie and cardigan he was forced to wear as an outlaw Priest, and have placed him in the Jesuit clerics he would have worn before going underground in his ministry. The second image is a proposed gathering together of the three drawings I have done to illustrate this family's devotion to Saint Gianna and Blessed Miguel. In the latter's words on the day of his death: "VIVA CHRISTO REY!!" ("Long live Christ the King!")

Sunday, February 22, 2009

STATUE OF SAINT MATTHEW: BASCILICA OF SAINT JOHN LATERAN, ROME

This is a very large drawing I got started on just this weekend. Amazingly, the entire figure is done after just two days. I think it was a combination of my love for this particular sculpture and my awareness that if I didn't finish most of it now I might not get back to it.

This statue of Saint Matthew stands in one of the huge niches dedicated to the Apostles in the Pilgrim Church of Saint John Lateran in Rome. When I visited Rome in the summer of 2001, I was immediately drawn to it, and spent hours sketching it there in the bascilica. Matthew is pictured resolutely gripping the Gospel of Christ with his strong arms, while simultaneously triumphing over his former life (and the love of money) by trodding it under foot. It is truly a stunning image, especially when you are able to see it in person. It is several times larger than life.

This image is not finished, as I will be adding a backdrop of sorts, mostly darker hues to bring out the image of Matthew, much as I did in the image of Saint Paul that I completed last year. The original of this drawing is on a 14'' x 18'' piece of paper. Once it is completed, I am hopeful that I will be able to have it matted, framed, and placed in the gallery at Bull City Art and Frame.

Thursday, February 19, 2009

MY GOOD FRIEND (BEGINNING OF A LARGER DRAWING)

This is the very beginning of a much larger drawing of my dearest friend, Father Gregory Plow, T.O.R.

Father Gregory is a Franciscan of the Third Order Regular, and we came to know each other in college. His faith had a huge impact in my life and was the catalyst to my eventual conversion to the Catholic Faith. He is the most genuine person I have ever had the pleasure to call my friend. He is truly "an Israelite in whom there is no guile." Father Gregory was ordained last year and has spent this first year of priesthood ministering to college students at Franciscan University of Steubenville.

I hope to use this drawing of Father Gregory (which is of him incensing the Gospel - note the lighter areas on the left of his face from the smoke passing in front of him) as part of a poster that I hope to put together highlighting Vocations to the Priesthood and Religious life for our Diocese. I am very pleased with this likeness of Father Gregory, and hope that those who know him will be too!

Wednesday, February 18, 2009

BLESSED MIGUEL PRO: FIRST DRAWING

This drawing depicts the final moments of Blessed Miguel Pro, a Jesuit Priest who was martyred in Mexico during the early twentieth century. The Mexican government of the time had become vehemently anti-Catholic, and began imprisoning priests who spoke out against the government. Blessed Miguel Pro utilized disguises to make his way through the city, and in this way continued to care for the Catholics he found. He was finally arrested and was sentenced to execution on the trumped up charge that he had helped devise a plot to assassinate the Mexican President of the time. A photographer snapped photographs of the execution, including this image and another portraying Pro's final prayer on his knees before his death by firing squad. This was lucky for the Church, but not so lucky for the government. Miguel Pro's death led to a massive revitalization of the Church and the encouragement of the people's opposition to the corrupt regime. Blessed Miguel Pro is reported to have put his arms up in the shape of a cross, and (I believe) holding a Rosary. Before the soldiers fired, he cried out "Viva Christo Rey!" (Long Live Christ the King!)

Sunday, February 15, 2009

IGNTITED BY TRUTH 2009



This weekend was a great opportunity to showcase some of my newest work at the 7th annual Ignited by Truth Catholic Conference at the Raleigh Convention Center. My table did well, but my favorite part of the conference was the interaction I was able to enjoy with old and new friends, and it is always wonderful to get feedback from my "target market." A VERY big thank you to all those who have given so much support to my work! I hope you like the finished poster I put together for the conference from portraits I drew of the main speakers.

WELCOME!

I appreciate your time and your interest in my work. If you are interested in knowing more about me and my philosophy of art, please feel free to scroll to the bottom of this page. I would rather spare those who have no interest in such things from having to read about me before looking at my work. God bless you :)

The Vocation of the Artist

I firmly believe that art is meant to serve others, especially in lifting the hearts of people, through "ephiphanies of beauty," (John Paul II's letter to artists) to the contemplation and the glory of God. The artist participates in a unique way in the inspiration of the Creator of all things, and knows something of His joy in the act of creation, for "the act of creation is an act of love."(The Agony and the Ecstacy) This act is essentially bound up with the mystery of the Incarnation of Jesus, in which what had been invisible was made visible in His person, His life and work, and finally in His death and resurrection. The artist is exhorted by the very perception of his gift to its service. Art is not merely, nor should it ever be, a vehicle for selfish ends or cheap shock and awe, but it must seek to give joy to the lives of others. The artist is then in the end merely a servant of truth, beauty, and goodness, and his work must serve to convey these to a wider audience. "Nor do men light a lamp and put it under a bushel, but on a stand, and it gives light to all in the house. Let your light so shine before men, that they may see your good works and give glory to your Father who is in heaven." (Matthew 15-16)I believe that the artist finds in the lives of Jesus, and of His foster father Joseph, essential role models, especially in their hidden life at Nazareth. Though very little is handed down to us in the Gospels or in tradition illuminating this period in Jesus' life, I believe that this hidden, simple, carpenter's life of "working quietly" (2 Thessalonians 3:11) can be a model for all artists, in which delight is daily sought in the manifestation of beauty in wood, paint, charcoal, dance, the stage, and music. This is a life of humility, where the artist freely accepts that this world, including his own work, "will pass away," (Matt. 24:35) but what it points to never will. Obedience to inspiration, especially as it is inspired by God's Word (itself the revelatory self-expression of God) is the artist's highest calling. This new site is dedicated to this higher calling of the artist, to this challenge.

You will find included in this site examples of my own work, as well as links to other sites which
celebrate the arts, and especially challenge the artist to reach the fullness of his own abilities
in the service of something greater than him or his work. I hope that you will enjoy this site, and
take full advantage of its links, especially the Letter to Artists of our Holy Father (of beloved memory) John Paul II. Thank you for your comments and your consideration of this website.

David Myers